Shiraz school congress




■ Essay The articles related to the congress of Persian Painting in School of Shiraz - The interaction of Iranian, Arabic and Turkish cultures in the school of Shiraz: Yaghub Ajand - The analysis of the paintings in technique of book decoration in the School of Shiraz: Sho'le Ehteshami - The two dimensional atmosphere in the School of Shiraz and finding its roots: Bahram Ahmadi - The social places of Shiraz in the paintings of 16th century AH: Laleh Oulowch - The shadow of the School of Shiraz on Turk's paintings: Elaheh Bakhtavar - The comparative examination of the painting of "Dara's being captivated by Alexander with "The Allies' defeat" (An aesthetic and visual analysis Seyyed Fatemeh Badr al-Sadat Ghari - The examination of the form of the circle and the analysis of "Seven Domes" painting: Elaheh Panjehbashi - A passage from a painting to a galaxy: Nazbanou Torkashvand - The comparative study of the visual elements in two paintings of Shahnamehs of the School of Shiraz (the Shahnameh in 844 and the one in 848 AH). - The comparative study of morphology of Prophet Mohammad's ascension to heaven in the School of Shiraz: Asghar Javani -The comparative study of Rostam's seven adventures (7 khans) in literature and painting in the School of Shiraz and Tabriz: Elham Haj Esmaeili - Shiraz: The source of identification of Iranian painting in Timurid's School during 8th century AD: Mansour Hesami -Some methodological characteristics of the painting in the School of Shiraz (since the end of 14th century AH till the early 15th century AH): Jamileh Hasanzadeh - The examination on color and light in the selected paintings of Eskandar Sultan: Laleh Khazaeeyan - The examination of the drawing in the School of Shiraz (since seventh century to the middle of ninth century AH: Mohammad Khazaei - The trend of nature paining in the School of Shiraz: Alireza Khajeh Ahmad Attari - Examination of architecture in painting of the School of Shiraz, 7th, 8th and 9th centuries: Maryam Doroudian. -The comparative examination of the visage in the painting of the School of Shiraz; since 8th century AH till 10th century AH: Atoosa Rasouli -The examination of lack of symmetry in design of illustration related to the School of Shiraz and its impact on those of the Safavid period: Amin Soleymani -An examination of Ibn Hesam Khosafi's Khavaran nameh –as far as its, paper decoration is concerned; and comparing that with present paper decoration: Saeed Salimi - Khamseh Kartieh and some general history: Eleanor Sims -The comparative examination of movement in some paintings of Khavaran Nameh (881 AH) related to School of Shiraz and Khamseh Tahmasebi (945-949 AH) from School of Tabriz.: Parisa Shad Ghazvini -The confrontation of good and evil in three painting of Khavaran Nameh (Imam Ali and the dragon): Ali Reza Sheikhi, Mohammad Taghi A'shouri - Mohammad Juki's Shahnameh –debtor of the School of Shiraz: Ali Asghar Shirazi - The tradition of illustrating in the School of Shiraz based on traditions of images before Islam: Ali Asghar Shirazi -The seven heavenly princes: Mohammad Reza Ghiasian -The examination of women's clothing in the school of Shiraz painting during the time of Ilkhanids and Timurids: Nasrin Gharehdaghi Venjaeeebooking - The examination of the combination of writing and image in the painting of School of Shiraz during the period of Ale Inju: Hasan Marasi -The reflection of the Sassanid embossed drawings in Ferdowsi's Shahnameh, 733 AH: Mohammad Memarzadeh -An examination of some illustrated manuscripts related to the School of Shiraz and their picture characteristics: Firooz Mahjour -The examination of semiotics in two drawings related to the School of Shiraz: Batool Nemati Kachaei -The examination of the geometrical structure of drawings in Zafarnameh Timuri (935AH) –related to the Safavid School of Tabriz; considering the drawing characteristics of the School of Shiraz: Giti Nowrozian -Inventing the new phenomenon of ketab-band (kind of binder) decorated with precious stones by Mulana Ghavam Mohammad Shirazi: Mohammad Mehdi Harati The articles related to the congress of calligraphy in School of Shiraz Conference -The display of calligraphy on metal works related to the School of Shiraz during the 7th, 8th and 9th century AH: Sousan Bayani - A review of scripts on seals and coins coined in Shiraz (7th, 8th and 9th centuries): Mohammad Javad Jeddi. - The Moraq inscription on stone in Khoday Khaneh in Shiraz: Abdul Reza Charni - The mystery of color and design in illuminating the sura of Hamd: Meysam Hasan Khani - The rectification of Enayatullah Shushtari's dissertation (Kashf al-Hourouf): Ehsanullah Shoushtari. - The role of scriber in decoration of lines and pages of the books related to the School of Shiraz.: Mehdi Sahragard - The description of writing and the significance of writer from the view point of the author of Dastur al-Kateb: Dr. Mahmoud Tavousi -A brief examination of commercial kind of illustrated written manuscripts in Shiraz: Hajar Samadi -Writing and page decoration of Ferdowsi's Shahnameh; Edition of 796, Dar al-Kotob of Cairo: Mohammad Reza Amouzadeh - The place of calligraphy in the manuscripts related to the School of Shiraz: Mahgan Farhang -Transcribes of words and dependent arts in Indian Sa'di's book of poetry (Divan): Hamid Reza Ghelichkhani -The glory of "calligraphy" and "illustration" in the school of Shiraz (8th and 9th centuries): Kianush Mo'taghedi -The introduction of hand written manuscript of dissertation of Mabda va al-Maad and quatrains of Baba Afzal Ghashani: Ali Reza Moeeni -Introducing the drawing of seals of the hand written manuscript of Mabda va al-Maad and Khajeh Afzal Ghashani's quatrains: Mohammad Javad Jeddi - Introduction of a unique inscription in the Southern Porch of Jame Mosque of Atigh in Shiraz: Mohammad Sadegh Mirza Abul Ghasemi -A brief examination of Tohfat al-Mohebeen by Yaghub Seraj Shirazi: Dr. Mahmoud Reza Najarian -The word and image in hand written manuscripts of Shiraz: Sepideh Nour Mohammadmanesh -The place of mysticism in formation of the basics of aesthetics of calligraphy in 7th, 8th and 9th centuries: Alireza Hasheminejad. The articles related to the seminar of crafts in the conference of Shiraz School -A brief discussion about crafts in the school of Shiraz: Bahman Fizabi -The examination of knowledge of instruments in the School of Shiraz with emphasis on the remaining works from the Madrasah of Ghathiyeh Kheradgerd: Seyyed Mohammad Khalil Esnaashari -The examination of handicrafts and objects in ten paintings belonging to the School of Shiraz in 7th, 8th and 9th centuries AH: Shahriar Asadi -The social and economical place of the process of artistic work in producing commercial products; A case study of business in Shiraz during 7th and 8th centuries AH: Dr. Ali Bohranipour -The comparative examination of the carpets on the paintings of Schools of Herat and Shiraz in 9th century AH: Mahboubeh Tavakoli Najaf Abadi -The designs of the carpet of Fars during Timurid period (with the emphasis on illustrations of the book Khavaran Nameh): Mehdi Haghshenas, Ro'ya Rezapour Moghadam -The examination of architectural decorations used in the paintings of the School of Shiraz, with the emphasis on 8th and 9th century AH: Mahsa Kharazmi -The examination of crafts in several literary works of 7th, 8th and 9th centuries: Ashkan Rahmani -Naghsh Nameh of metal works in School of Shiraz during 8th century AH: Sasan Samanian - Brass chalices of Fars in Budapest: Ivan Santo - The School of Ghyathyeh-e Khargard- Master Ghavam al-Din Shirazi's last master piece: Seyyed Ali Akbar Seyyedi - The manifestation of the School of Shiraz in the movement of painting on tiles during 14th century AH in Shiraz: Hadi Seif - The examination of the characteristics of illustration in the Schools of Shiraz and Herat: Atefeh Shafiei - Imamzadeh Mohammad Shurjestan's wooden zarih (zarih is a metal or wooden latticed frame around a religious figure's tomb stone): Dr. Jamshid Sedaghatkish - The manifestation of essence on form in candle sticks of the 7th and 8th centuries AH, influenced by Sheikh Ishraq's opinions and his interpreters in the School of Shiraz: Yaghub talebi -The brief examination of designs on meal works belonging to the School of Shiraz: Raheleh Erfanmanesh -A comparative examination of the art of metal works of Shiraz and Mamalik during 8th century AH (in form and content): Maryam Fadaei -A discussion of crafts belonging to the School of Shiraz (during 7th, 8th and 9th centuries AH): Bahman Fizabi -Recognition, examination and introduction of the crafts belonging to the province of Fars during the period of Al-e Mozafar: Mahmoud Kargar -The coins of Al-e Mozafar: Naser Kowsarnejad -The examination of the style and method of metal work in the School of Shiraz and comparing that with the School of Khorasan (during 7th, 8th and 9th centuries AH): Nosrat al-Molook Mesbah - Ghavam al-Din Zeyn al-Din Shirazi (813 [1410]-842 [1438]); The architect and the great designer of the Timurids period: Dr. Mehrangiz Mazaheri - The carpet of Shiraz; The kufic decorative inscription: Karim Mirzaee - The designs of flowers –in the School of Shiraz- a symbol of an ever lasting history: Mehran Hooshyar The article related to the seminar of music in the conference of Shiraz School - The interpretation of Mulana Mobarak Shah's Advar: Seyyed Abdullah Anvar - The relation of the musical terms with "amphibology" in Hafez and Salman Savoji's poems: Sedigheh Peikar, Marziyeh Taheri - Gaamha va Favasel in the School of Montazamiyeh, the claimed possibilities from theory to practice: Farshad Tavakoli - The manifestation of music in the poems of poets of Shiraz (during 7th and 8th centuries AH); the function of music in Sa'di and Hafez's poetry: Mansoureh Sabetzadeh - The different functions of "the harp" in Sa'di and Khaju's sonnets: Masoumeh Hamidoust. - Music in the dissertation of Lavame al-Eshraq fi Makarem al-Akhlagh: Mohammad Taghi Hosseini -The study of the chapter of Eegha' in Mulana Mobarak Shah's interpretation on the dissertation of Advar: Babak Khezraei - Allameh Ghotb al-Din Shirazi's criticism of Farabi's musical views: Kaveh Khourabeh - The concepts of the science of Eegha' in dissertations of 7th, 8th and 9th centuries AH, with the emphasis on dissertations belonging to the School of Shiraz: Pejman Radmehr - The examination of musical instrument in the paintings of the School of Shiraz: Ilnaz Rahbar - The music used for praising God according to mystics of Shiraz (since 7th till 9th centuries AH): Ahmad Sadri - Picturing "Motreb" (musician minstrel) in Sa'dis works: Marziyeh Taheri, Sedigheh Peikar - The function of musical instruments in expressing Hafez's thoughts: Reza Ghafouri - The search for common substructures of Farabi and Ghotb al-Din Shirazi's thoughts; a comparative examination of Mosighi Kabir (Farabi's great music) and Dorratul-Taj: Mahshid Farahani, Arvin Sedaghatkish -The coexistence of Iranian, Turkish and Arabic music: Professor Mahmoud Ghatat -The examination of continuity and relationship between Ghotb al-Din and Ahmad Kashi's musical thoughts: Majid Kiani -The music part of Dorratul-Taj le-orat al-Dabbaj or explanation of Resalat al-Sharafiyeh: Mohsen Mohammadi The articles related to the seminar of artistic mysticism and philosophy in the conference of Shiraz School The history of the attitude of Ayyaran (heroes) of Fars and its manifestations in 7th century / Ali Asqar Seyfi The concept of justice from Jalal Aldin Mohammad Davani’s view point / Ali Mansuri The aesthetics of the issue of "Nour" from Mohammad Davani and Dashtaki’s viewpoint / Ali Reza Razzaghi Ruzbehan and the ultra-subjective understanding of Man / Ali Asqar Mosleh Relationship between Shariat (religion) and practical philosophy in “Akhlaq-e Jalali” / Hamid Reza Sheshjavani The edition of the manuscript "Araezol Hadith" by Ruzbehan Baghli / Saeed Anvari Shiraz during seventh, eighth, and ninth centuries AH. / Dr. Seyyed Saeed Zadeh The basics of chronology in the view points of the historians of seven to ten centuries AH in consideration with the chronology of the school of Shiraz The theological attitudes of Ghazi Beyzavi in "Anvarol Tanzil" and "Asrarol Tavil"/ Hadi Rezvan Ghotbodin Shirazi the foundation of the philosophical school of Shiraz / Dr. Abbas Hajiha The dispute between Ghyathodin Dashtaki and jalal Aldin Davani in Sohrevardi's Sharh-e Hayakel Alnour / Tahereh Kamali Zadeh Ghotbossin Shirazi justifying the theory of monarchy and caliphate. / Morteza Falah In ontology of love and human creation / Musa Akrami -Sufism and the art of calligraphy in Tohfat al-Mohebin of Seraj Shirazi: Professor Karl Ernest -The analysis of subjective existence according to Sadr al-Din Dashtaki: Mohammad Javad Esmaeili - Professing to faith of monism along with Ruzbehan Baghli: Dr. Paul Ballanfa - Ghyath al-Din Mansour Dashtaki and the book of Taalighat: Mohammad Barekat - The relation of Senaat and Tabiaat (nature) in Jalal al-Din Davani's Lavame al-Ishraq and its relevance to Memizis theory in the philosophy of art: Dr. Hasan Bolkhari - A brief introduction of the Dashtakies and their share in developing the scientific and rational life of the school of Shiraz: Hujat al-Islam va al-Muslemin Abdul Rasoul Binazadeh - The philosophy of art and beauty in the school of Shiraz: Dr. Shahram Pazooki - The examination of Jalal Tabib's poems: Dr. Nasroullah Pourjavadi - Jalal al-Din Mohammad Davani and revival of philosophy in the School of Ishraq: Dr. Ghasem Pourhasan - Naser al-Din Shafe'ei, imam, scholar, a literary man, interpreter and preacher known as Ghazi Beyzavi (685 AH): Dr. Seyyed Ahmad Tooyserkani Esfahani -The basis of chronology according to the historian from Shiraz during 7th and 8th centuries AH. -The relationship between basic virtues of morality with the virtue of justice (a critical review on Dashtaki's responses to Davani: Dr. Mohsen Javadi -A comparative study of Kahjeh Hafez Shirazi's poetry with Sheikh Akbar Mohi al-Din Arabi's opinions -A review of the English translation of Akhlagh-e Jalali: Dr. Mahbobeh Khorasani - The examination of Mohammad Ibn Mahmoud Dehdar Shirzi's thought- the significance and role of Dehdar's thoughts and its relevance with Houroffiyeh and Noghtaviyeh: Nasim Khalili -The theory of Hodoth: Arbitration between Sadr al-Motealehin Shirazi and Jalal al-Din Davani: Dr. Maryam Khoshdel Rowhani -Renaissance actions and reactions in Fars during the age of the School of Shiraz: Dr. Abdul Rasoul Kheirandish - The justification and explanation of Alameh Mohaghegh Davani's theory about condition of multiplication of unique truth: Dr. Mehdi Dehbashi -The comparative examination of issues related to Ghotb al-Din Shirazi and Khajeh Nasir al-Din Toosi's practical philosophy: Dr. Saeid Rahimian - The body and soul in Ghotb al-Din Shirazi's anthropology: Dr. Ali Mohammad Sajedi - A review of the interpretative method of Ghazi Beyzavi in interpretation of Anvar al-Tanzil va Asrar al-Taavil: Dr. Hasan Sarbaz - Firoozabadi, the interpreter and Persian scholar, a symbol for the unity of Islamic nations: Mohammad Javad Salmanpour - Shah Taher Shirazi: Hussein Shah Taheri - Jalal al-Din Davani and the theory of Zugh al-Taaloh: Dr. Mohammad Hasan Shafieiyan - The innovation of Seyyed Sand Mir Sadr al-Din Dashtaki in philosophy: Dr. Abdullah Shakiba -Characterization of Seyyed Sharif Jorjani: Alireza Aghel Khosroshahi - Sham and suffer of libertine (a reflection pf political and social situation of Iran during the time of Al-e Inju and Al-e Mozafar in Hafez's poetry: Dr. Seyyed Abulghasem Forouzani - Mir Hussein Meybodi; a historical recognition: Dr. Abulhassan Fayyaz Anoush - The School of Shiraz and the Safavid Government: Dr. Ghasem Kakaei - The possibility of change in morals: The judgment between Davani and Dashtaki - Sources, documents, influence and interpretive method of Araes al-Bayan: Professor Allen (Abdul Hagh) Godlose - The philosophy of Ishraq, aestheticism and the School of Shiraz: Professor Oliver Liman - The introduction and revision of the dissertation "definition of theology" by Jalal al-Din Mohammad Ibn As'ad Davani: Dr. Hossein Mohammad-Khani - The distinction of levels of perception and its wisdom results from the view point of philosophers of Sadriyeh and Jalaliyeh Schools in comparison with Avicenna's view point: Ezat Maghsoudi - The function of beauty in Rouzbehan Baghli's thoughts The articles related to seminar of literature and linguistic in the conference of School of Shiraz - A bridge between Shiraz and Sa'di's Boustan and Hafez in view of American literature scholars - The impact of Hafez on figurative (metaphorical) literature - Illustration in Hafez's view point - Shah Daei's method in description of Masnavi Manavi - New poems from Naser al-Din Baje Shirazi - The dialogue of Hafez's sonnet and H.A. Sayeh - The place of Hafez among Iraqi Kurds poets - Wisdom of humbleness in Sa'di's works: Temta Parolava - Influence of former works on Hafez: Temta Parlova - Dramatic potentialities of Sa'di's Golestan - Dramatic potentialities of Hafez's poems - The analysis of Hafez's musical language in respect to Morris Gramon's view points - Hafez and Sa'di in the sonnets of poets from Azerbaijan (Hojat al-Islam Nayyer Tabrizi, Nakhlband of Sa'di's sonnet) - Khajeh Emad Faghih and Hafez - The impact of Fars Province region on Sa'di's ideology: Najmuldin Jabbari - The analysis of linguistics in Shiraz's dialect and its reflection in the text of 7th till 9th centuries - Introducing the hand-written manuscript of Tarok Shirazi: Laleh Jahad - The artistic characteristic of Nami Lari's poetry: Ahmad Habibi - Defamilirization in translation of Hafez's sonnets in English: Abulfazl Houri - The analysis of the concept of art in the poetry of poets from Fars Province during 7th to 9th century: Saeed Hesampour - The analysis of lingual characteristics and conceptions in Amin al-Din Beliyani: Kavvous Hasanli - Khajeh Altaf Hossein Hali: Indian expert of Sa'di - Symbolism of color in Rouzbehan Baghli Shirazi's Kashf al-Asrar: Maryam Housseini - Baba Faghani; an intermediate between Iraqi and Indian styles (a search in artistic themes of Baba Faghani's potry): Mohammad Hakim Azar - Innovation in Fars's literature: Dr. Seyyed Jafar Hamidi - The comparative frequency of the specific terms in Boustan and Golestan from methodological point of view - Hafez and Wolfgang Goethe's common intellectual characteristics: Mohammad Khosravi Shakib - Letter writing during 7th, 8th and 9th century: Manuchehr Daneshpajuh - The social points in Hafez's mysticism: Gholam Reza Rahmdel Sharfeshadehi - Hafez's from mythological point of view: Rezvan Rahimi - The sociology of Sa'dis language; a lingo-socialistic approach in Sa'dis works - Rozbehan Baghli's Shathiyat as a postmodern work: Ghediseh Rezvanian - The effect of Christian culture on the poetry of poets during 7th till 9th centuries: Mohammad Amin Rokni - Nonconformity and Sa'di: Elham Zanjanian - A comparative discussion in the issue of Khalaf Amade Aadat (an introduction in the interpretation of Hafez’s which are concerned with Khalaf Amade Aadat: Reza Soleiman Heshmat - Shabankarehee, Beihaghi, School of Shiraz: Mehdi Seyyedi - Shirazi dialect in Naseruldin Tabib’s ode, the poet during the time of Hafez: Ali Asghar Seifi - The examination of the basis of Islamic art’s viewpoints in Hafez’s sonnets’ book of poetry - The story narration in Leili and Majnoun in the School of Shiraz and comparing that with Nezami’s Leili and Majnoun: Bahram Sha’bani - The secret of Sa’di’s timelessness; an analysis from critical point of view - A study of Malek Khatun’s thought and poetic art - Characterization and choice of characters in Sa'di's Boustan - A passage through a dreadful age, a brief study of Jahan Malek Khatoun - The presence of Hafez's thought and art in Tajik's contemporary poetry - Sheikh Sa'di and humanism: Mohammad Sharif Aalam - Sa'di the forgotten scholar of Arabic literature: Mozafar Aalam - The analysis (examination) of Tolmin's dialectic style in Hafez's poetry - The application of painting and folklore's culture on literary works from Fars Province - A critical look at estheticism of Hafez's poetry and its association with the discovery of semantic variety - A study of Sa'di's philosophy of ethics and its opposition with modern morals. - The application of mythological approach of criticism in reading Hafez's sonnets and the analysis of the character of the old wise man Pir-e Moghan in his poetry based on this theory. - The texts of Farsi Miyaneh and their track in the works of authors during 7th century in Shiraz - The examination of Sa'di's work in the arena of comparative literature - The impact of Sa'di work in the arena of comparative literature - The manifestation of Hafez in Gholam's poetry - Ruzbehan's mystic devotion in Abhar al-Asheghin - The role of Fars's rulers on literature - The place of Shiraz in the poetry of poets since 7th till 9th centuries - The examination of fictional manifestations in Hafez's sonnets - A brief discussion about research, teaching and translations of Sa'di and Hafez's works in Georgia - Ferdowsi, Hafez, Sa'di and Jami in Zeyn al-Din Vasefi's "Badaye al-Vaghayegh" - The analysis of Hafez's sonnets, based on the theory of critical aesthetic (the school of Frankfurt) -Sadi's critical approach toward Sufism (tasavof) -Self awareness in Hafez's poems and thoughts -From Sa'di's opinions to Hafez's love -The examination of the idioms related to calligraphy in Sadi's poems -A critical study of the impact of Sadi's Golestan on Majd Khavafi -The specific attention to ordinary people in the arena of Persian literature in the school of Shiraz (7th, 8th and 9th century): Othman Nazir -The literary School of Shiraz and the change in Persian poetry in the area of Fararoud (Since the school of Sa'di till the school of Bidel's followers). -The artistic manifestations of God in Sa'di Shirazi's sonnets -Hafez and Ghaleb - The application of mask (neghab) in Hafez's sonnets - The impact of Soherevardi's dissertation "Fi Haghighat al-Eshraq" (or the truth of illumination) on Hafez's poetry: Mohammad Javad Yahaghi - Sadi's sonnet, a passage from the taboo of looking at the beloved or fixation with that - The key to secret of permanency of the Shiraz Articles related to the seminar of codicology in the conference of the School of Shiraz - The subjective examination of hand-written manuscripts in Shiraz and its relation with the size of the manuscript - The introduction of the manuscripts of Sireh Afifi: Leila Bakhtavar - Codicology and aesthetical features of Khavaran Nameh: Ali Boozari - An unpublished manuscript related to 8th century AH: Mahmoud Jafari Dehaghi - A book without binder (hand-written books and old Shiraz's heritage in wish of a person in charge): Seyyed Sadegh Hosseini Ashkevari - Introducing a copy of Resalat by Abu Eshagh Koobanani and the dissertation of Al-Taalifiyeh: Seyyed Mohammad Taghi Hosseini - The examination of text and codicology of Ghotb al-Din Shirazi's translation of "Tahrir Ossoul Oghlidous" by Nasir al-Din Toosi: Ahmad Reza Rahimi Riseh - Shiraz's books in Paris: General presentation and methodological results: Francis Richard - Introducing Amir Khosrow Dehlavi's Khamseh kept in Golestan Palace: Fatemeh Sarayan - The examination of the complex of 1589 in Fazel Ahmad Turkey's library: Ali Asghar Agh-Ghal'e - The codicology of the paintings of Nezami's Khamseh from Eskandar Sultan's hand written manuscript: Ra'na Ghahremani - The examination of the characteristics of hand written manuscripts; The School of Shiraz: Parisa Karam-Rezaei - The examination of geographical dispersion of the authors of the School of Shiraz during 7th, 8th and 9th centuries: Naser Golbaz - A sample of the art of the School of Shiraz in Oxford University; the introduction of the hand written manuscript of Sa'di's complete works in Ferdowsi's library: Ali Mir Ansari, Welham College - The hand written manuscripts of Hafez's book of poetry (Divan) belong to Shiraz –Soleymaniyeh Library- Istanbul: Professor Dr. Jandan Namli Oghlou - The introduction of the hand written, illustrated manuscript of Ferdowsi's Shahnameh: Kaveh Navidinejad